Sincerely,
Rufus
King of Shadows is a good show. Spooky and poignant, this play about a grad student collecting stories from street kids until she meets one with a story she can't handle is full of supernaturalism and mystery, but subtly uses them to tell a much smaller and yet more powerful tale about the failure of its protagonist to make real connections to other people, no matter how many ways she thinks she's reaching out. I hesitate to even tell more of the story, because I walked in the door cold knowing nothing about the play and loved that experience, because really the only reason I went is that its director is such an amiable guy I wanted to support his work. Also Pillsbury House Theatre offering free tickets to arts organizations really helped, so I hope I can pay them back a bit by spreading the word about this show.
I've seen Randy Reyes put in great performances on stage, and while I am in no way qualified to judge his work as a director it felt to me like he got everything there was to be had out of this script. In my mind the script falls short of greatness but still lands somewhere very good and very interesting, and this production does a very nice job artistically and technically of bringing everything good about it to life. I must admit I've found it curiously difficult to judge some works when they're fresh in my mind, needing instead to find what still resonates in my head and my heart weeks and months later, like Marco picking up the chair or the journey to the City of Bones. I really liked Catherine Johnson Justice in what I would think has to be a difficult part, anchoring a play with a central character long on cold, abrasive edges and short on charm besides what the actress brings to the role. It is also somewhat gratifying to see new plays with a very different gender balance than a lot of older work.
I definitely recommend King of Shadows (or I would be if anybody was actually reading this) and in this case I'm not just shilling, because I really don't know anybody involved in this production beyond the occasional awkward wave in the hallway... I think if you offered Randy $10,000 for his next show if he could come up with my name within 3 tries his guesses would be "Gaius", "Rumplestiltskin" and "Mmmwhahamarumph... you heard me! Now where's my money?" Anyways, it's hard to beat getting a nice dose of culture and rich conversational material in such an intimate setting as Pillsbury House for $20 or less, and PHT seems to have quite a lot of options for getting into their show even cheaper like Wednesday pay what you can performances, and today I even got a parking place right in front of the theater, so really what excuse do you have? Seriously, even the cookies on sale at intermission were good.
King of Shadows
Oct 2 - Nov 1
Pillsbury House Theatre
3501 Chicago Ave S
As a post-script, it is funny how art ties together and the same themes come up in different works by different artists... as I sat in the theater waiting for the show to start I read the end of Dan Simmons' novella “Looking for Kelly Dahl” about the violent end to a teacher's failure to for all his good intentions to make a difference to the student who needed him the most, and the last show I saw was Jon Ferguson's new play Supermonkey, about a doorman's string of brief interactions with his tenants and his attempts to nurture them into something more meaningful (“Fruit plate!”) I wonder how much these other works affected the way I took in King of Shadows... fortunately I think I managed to tune out entirely the resemblance of one of the characters to the gay hustler with full-body tourette's from Crank 2: High Voltage (the least artistically redeeming work I've seen this year... seriously “Streethawk” was better).
Why is it about Jeffrey Wright that makes him so captivating? I honestly haven't even seen him in that many films, but through these characters and the many changes he makes in his voice and his appearance, each of them carries somewhere deep in their voice the same lyrical murmur of Jeffrey Wright... and I can't look away. The dreamlike quality of that voice sounding like it comes from somewhere beyond the world made him perfect in Angels in America as the phantasmal travel agent Mr. Lies, navigating Harper on her drug-induced escape to Antarctica (through the refridgerator), sitting on a snowbank in a fabulous parka and playing awistful oboe. I hear it too in some of the smaller and less mystical roles, using a handful of lines to turn Felix Leiter into this larger than life American able to arrest a charging James Bond with nothing but a firm hand on his arm and that voice, a character that implies that his mind is somewhere else, located above the petty evils and trivialities of those around him, in Casino Royale with an engaged bemusement and in Quantum of Solace with a disgusted detachment, unmoved by either $5m or a hail of bullets. And really the most memorable supporting characters in QoS are him and Gemma Arterton, who have like eight lines between them. (I have a thing for redheads with funny names covered in oil.)
What has me realizing this about Jeffrey Wright is one particular performance in Mike Nichols' film adaptation of Angels in America. I saw the second part of that play (Perestroika) on stage at the Kennedy Center over a decade ago, and while that play is a lot to take in, it's also the kind of work that will burn into your brain with absolute vivid detail. The biggest change by far was not Justin Kirk's bringing a strength and prophetic fire I didn't remember to his portrayal of Prior, or Al Pacino's less sarcastic and more deranged Roy Cohn, it was Jeffrey Wright whenever he appeared as Belize, glittery gay nurse and completely, totally unrecognizable as Jeffrey Wright except in rare moments where in silence he adopts the familiar pose, face turned down and eyes looking up with a mix of sadness and patience, looking like he dropped about ten years, fifty pounds, and a huge helping of masculinity to create Belize. And it's so unbelievably good.
So in short, I defy anyone to watch Angels and even take their eyes off of Wright whenever Belize is speaking.
3. There's always the old standby of buying Merrill-Lynch shares at a 70% premium. (After all that is where all the rest of the government's stimulus money went.)
2. Spend it all on a 3-day binge of hookers and blow, only to emerge bleary-eyed from my hotel room and find I've accidentally become governor of New York. (Oh no, not again.)
1. I could buy anything really, as long as it's made in China and boiled in lead. (Again... that's where Walmart shoppers are spending the rest of the stimulus checks anyways.)
10. I've been sitting in the back seat of my car filling out ballots for Al Franken since October.
9. Blowing Rod Blagojevich's entire staff to lay groundwork for Senator Rufus (D-IL) took longer than I thought it would. Turns out all I got for it was gratitude... GRATITUDE?! Fuck gratitude!
8. I saw Shadowlands at the Guthrie, and then sobbed uncontrollably in my closet for several weeks over the death of Joy Gresham... bring her the magic apple, Douglas!
7. I've been working hard and contributing to the Gross National Product of this great country, which is more than I can say for certain CDO-squared selling motherf*****s I know who think it's funny to kick yuppies out of their starter castles at Christmas.
6. I spent a few weeks learn how to pronounce Amstelbooij's new Collateralized Diaper Obligation's name, eventually I just gave up and decided to call him Chocomelbooij.
5. I had a craving for a Misty Freeze, and I had to go all the way down Highway 61 to Baton Rouge to find a DQ that was open. Although speaking of DQ, who else suspects we may know the owner of this one?
4. Last October I accidentally said Macbeth in a theater and was beaten into coma by superstitious actors.
3. I just couldn't remember which of my half-dozen different jobs I was going to so I went to the scene shop and pretended to be a lamp-post for a couple weeks before they tried to bolt me to a stage.
2. I've been trying to fight the war on Hanukkah by saying "Happy Hanukkah" to as many people as I can. This "Happy Holidays" nonsense WILL NOT STAND.
1. And the real reason I haven't written anything on my blog in ages is Lego Star Wars, the most addictive game I've played since Tie Fighter. When I had a dream about Lego Star Wars, I decided maybe I'd had enough. So then I went and bought Lego Batman and Lego Indiana Jones.